Escaping: Part 3
(this is a true story)
SCENE: CYL OFFICE, STATE LIBRARY OF VICTORIA
The PHONE rings.
LILI: (answering) Lili Wilkinson.
LADY ON PHONE: Hi. I believe you’ve got my son.
LILI: I’m sorry?
LADY: My son. You’re holding my son.
LILI: Your son.
LADY: Yes. My son. You’re holding him.
LILI: (looks around) I don’t think I am.
LADY: I got a message. He’s being held there.
LILI: Where exactly do you think this is?
LADY: The Victorian Juvenile Detention Centre.
LILI: Ah. No. Sorry. We’re in the business of escapism here, not jailing.
Adelaide: City of Horror
My grandparents have guests, so Mum and I are staying in the house next door. It’s empty, because the Italian couple who used to live there died over two years ago. But the house is still full of all their furniture and clothes* and toothbrushes**. And crucifixes. LOTS of crucifixes***. Crucifixes and lots of fancy ornate furniture and a gold satin bedspread****.
Above the ornate bed and the gold satin bedspread, there’s a light-up picture of Jesus looking miserable.
I feel like I’m in the first scene of a horror film. I’m about to go and have a shower, and I know I’m going to come out, wearing a towel, and I’ll walk down the hall and it will be colder than I remembered. And I’ll open the door to the bedroom, and Mum will be lying on the bed, but she’ll be all wrinkled and grey and sunken, like she’s been dead for a hundred years. ______________________________________________
*dead-people clothes! **dead-people toothbrushes! ***crucifixes? Should it be crucifices? ****PLEASE TELL ME somebody washed the sheets after they died.
I’ll scream (and, depending on what kind of horror film it is, my towel might fall down). Then sunken-dead Mum will open her eyes and draw a ragged, gasping breath…
Diamond Wedding Anniversary
INT Thai Restaurant, afternoon. Adelaide.
LILI, MUM and GRANDMA are putting out place-cards at the table. A WAITRESS is doing something with prawn crackers.
GRANDMA
We can’t put Barbara and Ley on that side of the
table, because they won’t be able to get out with
their walking-sticks.
MUM
But if we put them there, then Auntie Peg won’t be
able to talk to Mary.
GRANDMA
But if Peg is there, then she’ll have to sit next to
Dennis, and she won’t like that.
WAITRESS
I don’t have a grandma.
LILI
If Mum and I are round there, we’ll have to clamber
over everyone to get out and make our speech
and run the slideshow.
GRANDMA
But if Kat and Brian are there, they won’t be able
to go outside to smoke.
LILI
So?
WAITRESS
My grandma is in Cambodia. I never met her.
MUM
Put us on the end.
GRANDMA
Make sure you’re next to your Dad, Carole.
MUM
Wouldn’t it be better if you were next to me?
GRANDMA
Why?
MUM
Because you talk so much, and you’re stuck in the
corner. Dad never talks to anyone, and he’s in
the middle.
LILI
So why don’t we move them over there?
WAITRESS
You’re so lucky to have a grandma.
GRANDMA
No, because we can’t move Barbara and Ley.
It can’t be done.
The WAITRESS starts to cry.
MUM
So let’s just swap you and Dad.
LILI
But then it won’t be gender-balanced! For the love
of God, it has to be boy-girl!
SILENCE, except for the choking sobs of the WAITRESS.